The Erosional and Depositional Landforms that Result from Rivers and Glaciers

The forces that the earth possesses have the ability of moving tectonic plates, in turn, creating volcanoes and ranges. These forces whose energy is obtained from the sun, have the ability of destroying mountain chains. This paper aims at discussing numerous erosional and depositional landforms, which appeared as a result of glaciers and rivers.Advertising We will write a custom essay sample on The Erosional and Depositional Landforms that Result from Rivers and Glaciers specifically for you for only $16.05 $11/page Learn More Some of the erosional landforms are arete, cirque, col, groove, hanging valley, headwall, horn, paternoster lakes, striations, tarn, truncated spur, and u- shaped valley (Peizhen, Peter and William 894). An arete refers to a bedrock ridge that has sharp edges and steep sides. It is formed of two glaciers, which are located on opposite sides of the ridge. A col refers to a little spot that is found either on an arà ªte or cirque. A cirque is a bedrock feature, which can be either in the form of amphitheater or it can be semicircular-shaped. They are formed when glaciers are scouring in the mountains. The ice that leads to the development of the glacier accumulates here first. In other words, a cirque is glacier’s headwaters. The headwall is a cirque’s steep back- wall (Benn et al 380). Paternoster lakes refer to a long sequence of lakes, which are found in a glacial valley. A horn refers to a mountain peak, which is shaped like a pyramid, and which appears as a result of erosion of several glaciers at various sides of a mountain. A tarn refers to a glacial lake, which is formed as a result of scouring. Tarns are usually common in cirques. A truncated spur refers to a split, which is created as glaciers are forming valley. A U- shaped valley is also referred to as a glacial trough, and it is a valley that is eroded glacially. There are several types of moraines, which constitute depositional land forms. A moraine refers to the collection of unconsolidated materials, which result from glaciers. The various types of moraines have different appearances (Fort 107). In end moraines, the material gathers at the schnozzle end. In ground moraines, the material gathers right under the glacier’s foundation. Finally, in medial moraines, the moraine is at the middle and its top. Apart from moraines, other depositional landforms include esker, kame, and outwash fan. A kame is a hillock with an irregular shape. An outwash fan refers to a braided stream, which begins from the front side of a glacier (Milton 4040).Advertising Looking for essay on geology? Let's see if we can help you! Get your first paper with 15% OFF Learn More As opposed to a river, a glacier entirely fills a valley. Therefore, a glacier possesses more eroding power. It is not necessarily that a glacier winds around intertwining spurs. Moreover, its valleys can be subjected to other transformations. A misfit stream refers to an extremely minute stream at a glacial trough’s bottom, which is usually too minute to form the valley. In conclusion, it must be highlighted that there are various types of erosional and depositional landforms that are associated with the creation of glaciers and rivers. Their study is extremely vital taking into consideration the continuous formation of volcanoes. In order to comprehend rivers and glaciers, there is a need to study them comprehensively. This allows the differentiation of minute and stringent characteristics and features. In this regard, geologists have a demanding role in ensuring differentiation of the various landforms. Works Cited Benn, Douglas I., et al. â€Å"Glaciated valley land systems.† Glacial landsystems (2003): 372-406. Print. Fort, Monique. â€Å"Glaciers and mass wasting processes: their influence on the shaping of the Kali Gandaki valley (higher Himalaya of Nepal).† Quaternary International 65 (2000): 1 01-119. Print. Milton, Daniel J. â€Å"Water and processes of degradation in the Martian landscape.†Journal of Geophysical Research 78.20 (1973): 4037-4047. Print. Peizhen, Zhang, Peter Molnar, and William R. Downs.†Increased sedimentation rates and grain sizes 2–4 Myr ago due to the influence of climate change on erosion rates.†Nature 410.6831 (2001): 891-897. Print. This essay on The Erosional and Depositional Landforms that Result from Rivers and Glaciers was written and submitted by user Ares to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

Paintings by El Greco

Paintings by El Greco Introduction Work of art refers to an artistic creation, which can take a form of fine art like painting, photograph, fine work of architecture, design, or an interactive game.Advertising We will write a custom essay sample on Paintings by El Greco specifically for you for only $16.05 $11/page Learn More In the foregoing description, formal analysis is used to analyze an artwork by El Greco which is a painting done in between 1575-76. It presents a story of a blind man from the Bible called Bartimaeus crying out to Christ to heal him of his blindness. â€Å"The story is covered in the four gospels: Matthew 9:27-34, Mark 8:22-25, Luke 18:35-43 and John 9:1-22. Christ mixed his saliva with soil to make mud, which he used to heal the blind man.†1 Line and form This story forms the theme of the painting. The collation and visualization of the texts are in the form of contemporary Venetian setting. The figures of Jesus and the man he heals occupy the foreg round, off-center to the left, and form the central part of the composition. A group of people witnessing the miracle stand in the right with two men sitting in the center. There is a city square seen in the background, which is receding towards the gateway. Behind the blind man and Christ, there are stooping figures and a group of four people who are unaware of what is happening. â€Å"The extensions of lines that the blind man is using for gesture together with the figure, which is on the right side with his back to the viewer, convene at the end of the point in the center of the gateway, placed slightly left of center in the picture.† 2Advertising Looking for essay on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More The line of the arch behind him reinforces the act of Christ moving his hand in the direction of the blind man. The foreground part between the sniffing dog and the two men conversing in the midd le distance is demarcated by receding lines and left empty, while the groups in the foreground are crowded on either side. The viewers’ attention is attracted to both the right and the left sides of the composition, while lines of perspective construction created by the paving draw their attention to the vanishing point. Space and Shape El Greco succeeded in the use of deep space in the utilization of the floor space, where he made maximum use of the foreground. The foreground figures, which are in a lower level, are meant to create space on the front edge while the groups make up the composition. Their presence shows that space extends beyond the foreground and some figures in the center to the left towards the direction the youth is pointing. The sense of space moves beyond the picture and creates a sense of spatial confines of stage. The sequential arrangement of colored shapes shows good use of space. Color El Greco used luminous colors and created structured architectura l settings for the figures. He used a rich variety of colors and tints. Balance and emphasis The composition has a calculated formal balance shown in the grouping and actions of the figures. Those to the right of Christ are more gracefully than those to the left. The frontal aspects of Christ emphasize the outline of his figure, simplification of the fold and texture of his robes.Advertising We will write a custom essay sample on Paintings by El Greco specifically for you for only $16.05 $11/page Learn More The parallel lines of the bent elbow of the two main figures, protruding and receding, are pictorially balanced. The atmosphere surrounding this place is calm creating an impression of balance. The emphasis laid on Christ’s figure advancing right knee is minimal, and his pose is more statuesque. El Greco applied perspective focused on straight and diagonal lines in the setting. Contrast In contrast, there is a restless movement framed by the diffe rent forms in the background architecture. This contrast ensures that they are the main center of the composition. The following is the picture-forming basis of our discussion: Bibliography Prnjatovic, Mladen. Elements of Formal Analysis in Architecture. London: University of New South Wales, 2008. Stokstad, Marilyn. Art History. New York: Pearson, 2010.Advertising Looking for essay on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More Footnotes 1 Stokstad, Marilyn. Art History. (New York: Pearson, 2010), 14. 2 Prnjatovic, Mladen. Elements of Formal Analysis in Architecture. (London: University of New South Wales, 2008), 34.

What would you say to a comment that Romeo and Juliet is irrelevant to Essay

What would you say to a comment that Romeo and Juliet is irrelevant to the modern world - Essay Example After all, issues dealt with by young people of the Middle Ages could hardly have known the various pressures and issues facing the youth of the modern world, complete with dangerous drugs, significant family problems or gang violence. However, anyone remotely familiar with the play will quickly recognize these very modern issues within the action of the play. The play opens with a sense of gang wars as the men of Capulet meet with the men of Montague in the streets of Verona. As Gregory and Sampson talk among themselves, it is clear that they have nothing but evil intent for anyone associated with the house of Montague: â€Å"When I have fought with the men, I will be cruel with the maids, and cut off their heads† (I, i). As the conversation continues, it becomes clear that a play on words is intended here in which Sampson promises to fight, and kill if possible, the men of the rival ‘gang’ and rape their women, or kill them, depending upon how the mood strikes him. When they see two servants of the Montague household, the scene quickly escalates into a fight, which eventually draws in the younger members of the family, the citizens of the street and eventually summons the heads of household as well as the prince of the city to the scene. This sequence of events sounds very similar to the escalation of gang wars in wh ich murders are committed on either side, with guns rather than swords, until the gang leaders and the community are involved and the police attempt to restore order. Family problems are also illustrated throughout the play. Although Juliet isn’t raised in a single family household, she is isolated from her parents and the rest of her community. The nurse’s ramblings at the beginning of Act 1, scene 3 reveals that Lady Capulet didn’t nurse her own child. As was the practice of the day, Juliet had a wet-nurse, who has served her in the capacity of a mother